But if the bass were to play a Bb or an F, then the chord should be interpreted as Bb Db F A C Eb Gb which would be the Bb minor-major 11 with a flat 13. For example, if a guitar were to play the Db A C Gb, and the bass a Db or an A, one would tend to think of it as the augmented-major 11th over Db. Now, in regards of your programming exercise: the same set of notes can often be mapped into voicings of many different chords. Off the top of my head I cannot see how to use it. Without the flat 9 it would fit perfectly over the diminished scale. Your b3 #5 b9 chord is a well, a bit strange.What you call m11(maj7) is the minor-major 11th chord, which are denoted by several different symbols.
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